Tuesday, July 5, 2011

Michael Jackson's Family Upset With James Durbin Over 'American Idol' Pepsi Quip

'We were shocked to see this,' read the Jacksons' message; Durbin tweeted an apology on Thursday.
By Gil Kaufman


James Durbin performs on "American Idol" on Wednesday
Photo: Michael Becker/ Fox

Some people might argue that it's patently unfair to take rank amateurs, put them on the biggest show on TV and then expose them to potential worldwide ridicule every week. Because it's one thing to tune in to "American Idol" from your living room or play shows at the local wings joint, it's another thing entirely when you get up on that stage and open your mouth with tens of millions watching and listening.

James Durbin learned this lesson the hard way this week when he made what he thought was an innocent crack about not setting himself on fire during his pyro-tastic cover of Elton John's "Saturday Night's Alright (For Fighting)" on Wednesday night.

Asked by host Ryan Seacrest if he was worried about dancing around among the flames shooting up from the piano onstage, Durbin joked, "I have a lot of hairspray in my hair to keep it from jumping around — so much so, the one thing I was worried about was having a 'Pepsi moment.' "

The seemingly innocent crack was a reference to the 1984 on-set accident in which late pop icon Michael Jackson was badly burned during the shooting of a Pepsi commercial by some wayward pyro effects. The serious burns he suffered in the incident allegedly led to his longtime addiction to pain medication and prescription drugs.

The Jackson family was not amused by the quip and sent a statement to TMZ on Thursday.

"We were shocked to see this. It's nothing to make light of and everybody should be focusing on who was responsible for Michael's death," read the statement. Family patriarch Joseph Jackson also was reportedly miffed that "Idol" producers did not cut the comment from the West Coast feed of the show.

Durbin defended his slip-up in a tweet, which has since been scrubbed from the singer's official "Idol" Twitter feed, that explained, "For anyone talkin ... I said pepsi NOT MJ! I have no disrespect for Michael. I grew up singing his art. I guess youll take it how you want it." He later added, "Talkin about MJs passing is too soon. Making a reference to an incident 25 years ago..not too soon. The stab was at pepsi people."

It's worth noting that Pepsi's bitter rival, Coca-Cola, is the main "Idol" sponsor, a fact that Seacrest reminded Durbin of in an awkward moment after the comment on the show.

What did you think of James Durbin's "Pepsi" quip? Tell us in the comments.

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No hay más Led Zeppelin

A pesar de lo dicho ayer, Peter Mensch, manager del guitarrista Jimmy Page, se retractó totalmente en eso que la banda buscaría un reemplazo al ultragenial Robert Plant para seguir rockeando y toureándola por el mundo tras su show de 2007 en el O2 Arena de Londres por el poder de la música más sexual de la historia. No habrá más Led Zeppelin, no hay planes de que lo haya.

Mensch comentó: "Led Zeppelin se acabó. Si no los vieron en el 2007, se los perdieron. Probaron reemplazantes a Robert Plant, pero nada funcionó. Se acabó. No hay planes para continuar. Francamente, ojalá todos dejaran de hablar al respecto."

Los fans no están nada contentos, especialmente los británicos, considerando los precios delirantes de las entradas del show reunión.

¿Y a ti? ¿Qué te parece todo esto?

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Jay-Z And Kanye West's Watch The Throne Ready For Pre-Order

The joint album from the two rap superstars finally has a release date.


Jay-Z and Kanye West
Photo: Getty Images

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Photos | 'Michael Jackson's This Is It' Premieres In Los Angeles

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Janet Jackson Thrills Fans With Greatest Hits, Michael Tribute At Radio City

Singer covered songs ranging from classic 'Pleasure Principle' to 2008's 'Feedback' at New York show.
By Vaughn Schoonmaker


Janet Jackson (file)
Photo: Christopher Polk/ Getty Images

NEW YORK — Often imitated, never duplicated, Janet Jackson's outbursts of meticulous choreography, sassy exclamations and smoldering gazes into the audience kept them on their feet for the entire two-hour set of her greatest hits at Radio City Music Hall. Monday night marked the last of three sold-out shows at the historic venue on her monumental Number Ones: Up Close and Personal Tour.

Up-and-coming boy band Mindless Behavior opened the show with songs including "#1 Girl," "Future" and their debut single, "My Girl." With their Usher-esque dance moves and shouts like "Where the ladies at?" the boys brought the tween girls out of hiding, judging by the shrill screams escaping various corner of the music hall.

At 9:00 sharp, the lights went down and Janet's fans were on the edge of their seats, watching music videos for "The Best Things in Life Are Free" and "Rhythm Nation" projected on big screens across the venue. A small shadow drifted toward center stage, and when the colorful lights came up, Jackson, wrapped in a shoulder-padded catsuit, complete with slick short hair, blasted into "The Pleasure Principle," dancing as hard and intensely choreographed as she did when the song first came out in the 1980s.

With barely a spare second between songs, Janet dazzled her way through her biggest hits, including "Miss You Much," "All for You" and "Nasty," and more recent hits like 2008's "Feedback."

Videos displayed during Jackson's costume changes included vintage clips from "Diff'rent Strokes," a funny scene from "Poetic Justice" where Jackson slyly rejects the advances of Tupac Shakur's character, and a rather heavy scene, as Jackson's character in "Why Did I Get Married" destroys her husband's house with a golf club, screaming hysterically.

Considering the tough couple of years the Jackson family has faced, the dark moments in the video seemed fitting, and everyone was beside themselves with bittersweet joy when Michael Jackson's face popped up on the big screen and she performed their hit single "Scream."

Janet emerged for her encore in a tight white one-piece disco suit, and performed "Diamonds," "Make Me" and "Together Again," which appeared to be the biggest hit of the evening. As Jackson graciously bowed out, her straight face transitioned into a smirk, suggesting that despite the hard times she has experienced recently, we can expect to see this singing and dancing pop legend shine far into the future.

"Its amazing!" Janet fan Elena Mercantini gleamed afterward. "It's like she's still 20 years old!"

"She's hot, she's amazing and she's still got it after all these years" added Alison Klinger of Long Island. "Best concert I've ever been to!"

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Monday, July 4, 2011

Photos | Family & Friends Say Goodbye To Michael Jackson

Family & Friends Say Goodbye To Michael Jackson

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Dave Grohl, Josh Homme, John Paul Jones Unveil Supergroup

Them Crooked Vultures make their debut with a post-Lollapalooza set.
By James Montgomery


Dave Grohl (file)
Photo: Jewel Samad/AFP/Getty Images

Officially, Lollapalooza ended Sunday night in Chicago's Grant Park, with dueling sets from the Killers and Jane's Addiction. Unofficially, it ended very early Monday morning, across town at venerable rock club the Metro, with a surprise show by Them Crooked Vultures.

To the unfamiliar, the Vultures might seem like an odd choice to close out Lolla weekend ... until you realize that they're made up of Foo Fighters frontman/ former Nirvana drummer Dave Grohl, Queens of the Stone Age mastermind Josh Homme and Led Zeppelin legend John Paul Jones. And their gig at the Metro was their world premiere.

According to some reports, the Vultures actually turned down Lollapalooza founder Perry Farrell's request to replace the Beastie Boys as headliners at the festival, opting to debut in front of some 1,100 super-psyched fans at the Metro, rather than 75,000 in Grant Park (tickets for the gig were announced via Foo Fighter/ QOTSA fan clubs). Meaning that, in a lot of ways, this was the most sought-after ticket in town.

Taking the stage just after midnight, the Vultures — Grohl on drums (of course), Homme on guitar and vocals, Jones on bass and keys and frequent QOTSA contributor Alain Johannes on guitar — ripped through 12 songs in 80 minutes, all taken from their upcoming debut, which may or may not be called Never Deserved the Future, and may or may not be hitting stores on October 23 (early "promo" videos touting both those facts were revealed over the weekend to be hoaxes perpetrated by QOTSA fans).

The songs, with appropriately Homme-ian titles like "Scumbag Blues," "Mind Eraser (No Chaser)," "Caligulove" and "Interlude w/Ludes," sounded pretty much how you'd expect, given the band's pedigree. They rocked, hard — Chicago Tribune critic Greg Kot described them as "fresh, invigorating and just plain nasty" — delving off into psychedelic, reverb-filled excursions and exploring proggy territory, "both of the old-school Yes variety, and the more modern Tool flavor," according to the Chicago Sun-Times' Jim DeRogatis.

It's not known if Monday's Metro performance was a one-off event for the Vultures — there have been whispers of a full-blown tour, but a spokesperson for Homme had not responded to MTV News' request for comment at press time. Nor was it clear whether or not they'll have an album out in October.

Early Monday, a Crooked Vultures Twitter account, which had previously posted links to the band's official-looking Web site and the Metro's online ticketing site — posted a link to what appears to be the group's first bit of official merchandise: a Deserve the Future T-shirt. Cost: $30.

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Justin Bieber Vintage Video: His First Meeting With Usher

Justin Timberlake also wanted to sign Bieber, 'Never Say Never' star said in 2009.
By Jocelyn Vena


Justin Bieber
Photo: Brian Phares/MTV News

Just as the world was learning who Justin Bieber was, MTV News caught up with the shaggy-haired singer in September 2009. He was gearing up to release his debut album, My World, and plotting his pop-world domination. In the year and a half since that interview, Bieber has done the nearly impossible, launching himself into the pop mega-sphere.

In the chat, Bieber recalled how he and his manager, Scooter Braun, met and eventually got big names interested in signing the teen.

"My manager found me on YouTube. He flew me out to Atlanta for the first time — I'd never actually been on a plane before. He flew me to Atlanta where i was going to the studio to meet some people," he recalled.

"And Usher happened to roll up in his Range Rover. I ran up to him, and I was like, 'Usher, I love your songs. Want me to sing you one?' The politest possible way he could say no, he did. ... I took the hint. I didn't get to sing for him: He had to run into a studio session."

But later, Usher was beckoning the teen back to the ATL. "He actually watched my videos — after my manager got to talking to him — and was like, 'I should have let this kid sing,' and flew me back to Atlanta where I got to sing for him in a proper setting. A week later, I had a meeting with Justin Timberlake, who also wanted to sign me, so they both kind of wanted me."

As the story goes, Bieber went with Usher, and the two never looked back.

"As far as Usher being my mentor, he's definitely given me words of wisdom. I hear it from everybody, but definitely to hear it from Usher is great, just to stay humble and grounded is very important," he explained.

"There's a lot of people, especially young stars, that have gone down the wrong path, and I definitely plan to stay humble and stay grounded and keep my family first, because that stuff really is important in life."

On Friday, Justin Bieber's 3-D documentary, "Never Say Never," opens. The film takes a look at how the teen star worked to hit it big. MTV News has been chatting with him along the way, from the time he first burst on the scene in 2009 until now, as he embarks on a huge 2011 that will include a tour and more new music.

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'Transformers' Stars Reveal Tricks Behind Filming Building-Escape Scene

'We all felt 12 again, sliding down the side of this building, shooting, screaming,' Tyrese Gibson tells MTV News.
By Kara Warner


Shia LaBeouf in "Transformers: Dark of the Moon"
Photo: Jaimie Trueblood

For those who've seen "Transformers: Dark of the Moon," there is so much going on in the film that one could spend the next 12 months breaking down all the dirty details. We've already tackled the nods to "Star Trek" and the "Transformers"-specific Easter eggs, so today we turn our attention to one of the film's most impressive action sequences: the part when evil Decepticon Shockwave sends his massive, spinning, snakelike destroyer after our protagonists, who become trapped in the upper stories of a tall building. The Transformer proceeds to cut the building in half, leaving our heroes no option but to jump out of the windows and slide down the outside of the building to safety.

MTV News had the scene's stars, Shia LaBeouf, Rosie Huntington-Whiteley and Tyrese Gibson, explain how they managed to pull off that sequence.

"The building comes up on what I can only describe as a crane," Whiteley explained of the rig used to support and move the specific set piece. "It tilts to about a 40-degree angle. It's built to look like the outside of a skyscraper," she said. "Shia, myself, Tyrese, the Marines, we all set at the top, Mike [director Michael Bay] would scream 'Action!' and then we would slide down this thing," she recalled. "And then flower pots, chairs, paper and fake glass, tennis balls, every office supply you could possibly think of would get thrown down after us."

Despite the gravity of that particular scene, it turns out that the boys thought of the tilting skyscraper set piece more like a ride at a county fair.

"This thing had to be 150 to 200 feet in the air. It was like a huge slide," Gibson said. "We all felt 12 again, sliding down the side of this building, shooting, screaming, doing everything we had to do in those scenes.

"It was scary stuff," he added with a smile. "It was scary with the idea that we are about to be eaten, eaten alive."

"We shot that for three weeks or so," LaBeouf said. "You're basically pulling yourself on rope to get to the top of the thing. It's like a big slide, you know those slides they have at fairs where you get the little brown bag? Brown bag slides, sort of like that."

Huntington-Whiteley added that in the midst of all the fun had while sliding, she learned very quickly to pay attention to her landing and get out of the way when she reached the bottom of the set piece. "I'd always hit the bottom first. It took one time to realize if I didn't get out of the way really quick, I was going to get flattened by a 300-pound man coming quite quickly after me!"

Check out everything we've got on "Transformers: Dark of the Moon."

For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.

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Pete Rock, Smif-N-Wessun Claim NYPD Incited 'Riot'

Five people were arrested, five officers injured during Smif-n-Wessun's album release party on Tuesday.
By Rob Markman


Smif-n-Wessun
Photo: MTV News

It was all love, according to Brooklyn, New York, rap group Smif-n-Wessun and their producer Pete Rock. That was until the police came and busted up the group's album-release party in Manhattan on Tuesday night.

"It was beautiful, man. Me and my wife and my family walked up in there, everybody giving us love, pounds, they're happy I'm in the house," Pete Rock said of the scene at Tammany Hall, the club where Smif-n-Wessun performed and held an album-release party for their new LP, Monumental, released on Duck Down Records.

According to Rock, the night went smoothly as he, Tek and Steele (the two rappers who make up the group Smif-n-Wessun) performed songs from their new album in front of the sold-out crowd. For the group, the first signs of trouble arose when the club's house lights came on. "We noticed two cops came in when the lights came on. Then they went back out, then they came back in," Pete Rock recalled.

The legendary hip-hop producer, who has crafted hits for Kanye West, Busta Rhymes and Mary J. Blige, then saw his friend Lewis Peña being assaulted by the police. "Like four or five cops threw him against the wall, beat him with the stick, punching him with closed fist, had him on the ground beating him motionless with their sticks and it was just crazy. It just got crazy," he said.

Rock witnessed his wife and stepdaughter being hit by police as well. Peña, his stepdaughter Jade Everette, and three others were arrested that night. All five of the individuals arrested by police were later released on their own recognizance, MTV News has confirmed with the rap group's attorney.

Five officers were injured during the melee, one with cuts on his neck, one with a broken nose, one with a broken tooth and two with contusions to the head, according to MSNBC.com.

In a statement issued to MTV News, New York City Police Commissioner Raymond W. Kelly justified the officer's actions that night: "Police officers had every right to defend themselves against individuals assaulting them, and used appropriate force in doing so. They also protected civilians who were being pelted with bottles at the outset, as they responded to the location at the request of the club's own security."

Steele, who witnessed the drama inside of the club unfold from the stage, tells a drastically different story. "That party, it was flawless. It was flawless, it was packed. I personally was under the impression that security had everything taken care of," he said. "I was totally not aware of anything that might have happened outside. As far as inside, it was all smiles; it was all smiles and fun."

That was until he saw Peña, who was onstage with the group earlier, being beaten by the cops. "My initial response to that was, 'What is my friend doing on the floor? This guy just stepped off the stage. Why is he on the floor?' " Steele told MTV News. "Their response was, 'Get the F back.'

"They pushed us back in the club, they maced him while he was on the floor, maced us back in the club. It was pandemonium."

From the outside of the club, fans documented the ruckus on camera phones and personal video devices. Many of the clips have since been uploaded to YouTube and other social-networking sites. Pete Rock and Smif-n-Wessun say that they were unaware of any drama and say that club patrons should have been forewarned by police and given a chance to exit in an orderly fashion. "Nobody came into the club, nobody said, 'Listen we're going to shut it down in a few minutes, everybody disperse,' " Steele said. "When we got that information, people were leaving. The police incited a riot by grabbing folks, by pushing folks out."

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Sunday, July 3, 2011

Justin Bieber's Grammy Performance Will Be 'A Crossover,' Usher Says

The 'O.M.G.' singer looks forward to sharing the stage with his protégé on Sunday night.
By James Montgomery


Usher
Photo: Amanda Edwards/ Getty Images

HOLLYWOOD — At Sunday's 53rd Grammy Awards, Usher will be pulling double duty as both a nominee and a performer. Of course, given the massive year he just completed — with the success of his smash single "O.M.G." and as a mentor to rising phenom Justin Bieber — Ush's Grammy plans seem rather fitting.

Especially since he'll be performing with Bieber (and Bieber's pal Jaden Smith), a move that's just as much about celebrating Usher's successes as it is the successes of his young protégé.

"Having been through [the Grammys] so many times, you couldn't want for anything more than for your young protégé to have the opportunity to have one, so, in support of him having his moment, I wanted to be here," Usher told MTV News on Thursday, hours before his performance at the (Belvedere) RED launch party in Hollywood. "And also to be there to perform, to kind of tell the story of how we came together. This music business has definitely been good to both of us, and this year we have a lot to be happy for."

And just how will the dynamic duo tell that story? Well, Usher wasn't about to reveal all the details, but he did say that he's hoping their performance will show another side of Bieber ... a side most tend to overlook.

"The performance will be fun," Usher explained. "We want to get up there and just do what we do. Be comfortable, and have a great time. ... This is kind of a crossover for Justin. Having performed on so many different stages, this is the way that I wanted him to be seen and an opportunity to show the industry — a lot of the industry, that didn't believe [in him] — some of his other talents. He's going to play acoustically, and also, we'll get down a little bit."

And though Ush is up for a pair of Grammy awards on Sunday — Best Male R&B Vocal Performance and Best Contemporary R&B Album for Raymond v. Raymond — he's most looking forward to sharing the stage with Bieber and giving fans a look at where the young artist will be heading next.

"I'm very proud, man. I definitely saw it from the beginning, but thanks to the team that we have around us, it was made to happen. And that story has only just begun," Usher said. "The story of Justin Bieber doesn't stop with screaming girls; we need screaming fans all around the world ... a cultural experience that's much more than just fanfare. And that's what this is. That's what the Grammys will be; that's what my next phase for Justin is. This is the way I found him: I found him with a guitar in his hand, so I want him to be seen that way."

Don't miss "Snooki & Sway: Live From the Grammys," a red-carpet live stream kicking off Sunday at 6 p.m. ET on MTV.com. And stick with us all Grammy night for coverage of the red carpet, the show, the afterparties and beyond!

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Selena Gomez, Cory Monteith Cop To 'Monte Carlo' Sing-Offs

'I feel like we were very annoying to people on set,' co-star Leighton Meester tells MTV News.
By Christina Garibaldi


Katie Cassidy, Leighton Meester, and Selena Gomez in "Monte Carlo"
Photo: Twentieth Century Fox

Selena Gomez's When the Sun Goes Down was released on Tuesday, but the star isn't just celebrating a new album this week. She heads back to the big screen with a leading-lady role in "Monte Carlo."

In the movie opening this weekend, Gomez plays not one, but two characters: an American teenager, Grace, and British heiress Cordelia, which required the Disney actress to take on an English accent.

"I did about two weeks [of training] before the film," Gomez told MTV News of learning the accent. "It was really fun [but] I was really nervous."

And the fun didn't stop there. Gomez also bonded on the set with her "Monte Carlo" co-stars, including "Gossip Girl" star Leighton Meester, who plays Gomez's stepsister; Katie Cassidy; and "Glee" heartthrob Cory Monteith, who had the tough job of working alongside some of Hollywood's most beautiful ladies.

"Going to hang out with a bunch of hot chicks in Europe? Sign me up!" Moneith laughed when we asked what attracted him to the role. "It was a no-brainer. They approached me to do a movie, and I heard Selena Gomez wanted to do it and shoot in Europe."

The cast spent two months filming overseas, primarily in Monte Carlo and Paris, and they had as much fun onscreen as they did off.

"We sang a lot," Gomez said of her castmates.

"I feel like we were very annoying to people on set," Meester added.

Of course, considering Monteith, Meester and Gomez are all singers, it's hard to believe anyone found them "annoying." So what was their song of choice?

"[We sang] to actual songs that were out," Gomez said. "But we would create our own lyrics; it was really fun."

"There was a little jumping and jiving," Monteith admitted. "We were so taken away by the moment, shooting in Paris, shooting the Eiffel Tower," he speculated about what may have inspired all that singing. "It was incredible."

Check out all of the stars in action when "Monte Carlo" hits theaters on Friday.

Check out everything we've got on "Monte Carlo."

For young Hollywood news, fashion and "Twilight" updates around the clock, visit HollywoodCrush.MTV.com.

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Justin Bieber Vintage Video: His First Meeting With Usher

Justin Timberlake also wanted to sign Bieber, 'Never Say Never' star said in 2009.
By Jocelyn Vena


Justin Bieber
Photo: Brian Phares/MTV News

Just as the world was learning who Justin Bieber was, MTV News caught up with the shaggy-haired singer in September 2009. He was gearing up to release his debut album, My World, and plotting his pop-world domination. In the year and a half since that interview, Bieber has done the nearly impossible, launching himself into the pop mega-sphere.

In the chat, Bieber recalled how he and his manager, Scooter Braun, met and eventually got big names interested in signing the teen.

"My manager found me on YouTube. He flew me out to Atlanta for the first time — I'd never actually been on a plane before. He flew me to Atlanta where i was going to the studio to meet some people," he recalled.

"And Usher happened to roll up in his Range Rover. I ran up to him, and I was like, 'Usher, I love your songs. Want me to sing you one?' The politest possible way he could say no, he did. ... I took the hint. I didn't get to sing for him: He had to run into a studio session."

But later, Usher was beckoning the teen back to the ATL. "He actually watched my videos — after my manager got to talking to him — and was like, 'I should have let this kid sing,' and flew me back to Atlanta where I got to sing for him in a proper setting. A week later, I had a meeting with Justin Timberlake, who also wanted to sign me, so they both kind of wanted me."

As the story goes, Bieber went with Usher, and the two never looked back.

"As far as Usher being my mentor, he's definitely given me words of wisdom. I hear it from everybody, but definitely to hear it from Usher is great, just to stay humble and grounded is very important," he explained.

"There's a lot of people, especially young stars, that have gone down the wrong path, and I definitely plan to stay humble and stay grounded and keep my family first, because that stuff really is important in life."

On Friday, Justin Bieber's 3-D documentary, "Never Say Never," opens. The film takes a look at how the teen star worked to hit it big. MTV News has been chatting with him along the way, from the time he first burst on the scene in 2009 until now, as he embarks on a huge 2011 that will include a tour and more new music.

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CyHi The Prynce Says Kanye, Akon Pledged To 'Enhance' His Music

'It's just like Shady and Aftermath,' MC says of being signed to G.O.O.D. Music, Konvict and Def Jam.
By Alvin Blanco, with reporting by Sway Calloway


CyHi the Prynce
Photo: MTV News

If you want to get technical, Kanye West's G.O.O.D. Music deal with Def Jam puts Atlanta rapper CyHi the Prynce back where he's been throughout his career. And that makes him all the more confident that big-label status won't change his music.

"Def Jam is like family, for real," he said on "RapFix Live" this week. His history with the label began back when CyHi was part of a Georgia rap group called Hoodlum that was signed to Def Jam through Jazzy Pha's Sho'Nuff imprint. After the group split a couple of years later and CyHi embarked on a solo career, his relationship with a pair of execs kept him in the family.

"When I went solo, I came back and revisited the situation, due to my relationship with L.A. Reid and my relationship with Bu Thiam," CyHi told MTV News. At the time, Reid was Island Def Jam's chairman and Thiam, Akon's younger brother, was (and still is) an A&R at the label. CyHi was signed to Akon's Konvict Music imprint in 2009. And then last year, Kanye West caught wind of his talents and recruited him to join his Grammy Family.

"I've been at Def Jam all my life; it's just, you know, the big heads put it all together," CyHi explained of the new relationship with Kanye's group and the label. "By G.O.O.D. Music actually getting their label deal there, and I'm already there, it just solidifies me more, [increasing] the possibility of an album coming soon."

As for how Konvict and G.O.O.D. Music interact on his behalf, and split any due proceeds, CyHi offered an analogy for the joint venture: "It's just like Shady and Aftermath. It's just like G-Unit and Aftermath. It's the same thing. I'm not a stingy guy. My thing ain't to get rich. ... Their check is a joint venture. That's between Konvict and G.O.O.D. Music. They going to split that, then I just do me."

The "Royal Flush" rapper was also adamant that both Konvict and G.O.O.D. Music only have his best interest at heart and that the plan is to augment his talent, not switch up his style.

"When you self-made and you do it yourself, they all come to complement what you have done," CyHi said. "I got with 'Ye, I been like this. They was like, 'I don't want to change nothing about you; I just want to enhance it.' Same with [Konvict], 'We just want to enhance.' It's a great relationship with everybody. My team is what really makes me who I am. Teamwork makes dreams work."

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Common Reveals Warner Bros. CEO Invited Him To Label

Lyor Cohen approached rapper, who departed Universal Music in 2009.
By Alvin Blanco


Common
Photo: Chris Weeks/ Getty Images

Last week, Chicago rapper Common revealed that he is taking his rhyme talents to Warner Bros. Records. Surprisingly, the "Universal Mind Control" rapper tells MTV News that he had been a free agent since December 2009, when he departed from his longtime Universal Music recording home.

The rapper and actor, currently shooting an AMC television series called "Hell on Wheels" that will premiere in the fall, released his last album, Universal Mind Control, in December 2008. The album was met with mixed reviews and didn't reach the same gold sales of his previous two projects, the critically acclaimed Be and Finding Forever.

But a certain record executive didn't lose faith in the veteran rap lyricist. "Point blank, I got a call from [Warner CEO] Lyor Cohen," Common told MTV News. "He was like, 'Look, man, I know who you are. I always told you, you was one of my favorite MCs, and I really meant that.'

"I felt the sincerity in what he was saying. He didn't tell me, 'We're going to do this, do that.' He was more like, 'I know how we can do your record, and I want to work this. I want this to be on my roster.' "

The Warner music chairman knows a thing or two about talent. Through the years, "the check writer" has had a hand in the careers of star MCs such as Run-DMC, LL Cool J and Jay-Z. Before getting the call from Cohen, Common had been toying with the idea of going the indie-label route to release his music.

"I felt like, man, it would be good because it's so much ... we do have a lot going on," Common explained. "I am doing these acting projects. I do have my foundation. I do have a daughter and a life, too. So it's all these things I want to take care of, I felt like I didn't want to have an independent label that I felt like you gotta be there for everything, every decision. I'd rather have a team that's already in place that's really confident in what I'm doing."

Although G.O.O.D. Music recently inked a worldwide label agreement with Island Def Jam Music Group, Common is still affiliated with Kanye West's label. "It's still G.O.O.D. Music all day and night," he said.

Common's ninth album, The Dreamer, The Believer, is due out in November.

What do you think of Common's decision to sign with Warner Bros. Records? Sound off below!

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Saturday, July 2, 2011

Britney Spears - Till the World Ends

Till the World Ends

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Britney Spears' 'I Wanna Go': Frame By Frame

"I Wanna Go" director, Chris Marrs Piliero, was really stoked he got to add the "Half Baked" homage in the video.


Photo: Jive

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Britney Spears Was 'Super Game' For 'I Wanna Go' Video

Director Chris Marrs Piliero talks about working with Brit and his favorite scene from the fun clip.
By Jocelyn Vena, with reporting by Hugh Swingle


Britney Spears in her "I Wanna Go" music video
Photo: Jive

Britney Spears looks like she's having a blast in her new "I Wanna Go" video. It's full of fun pop-culture references and has Brit seeking vengeance against the paparazzi. Now, the director of the kitschy clip, Chris Marrs Piliero, has opened up about working with the pop megastar.

"Meeting Britney for the first time was really rad. She was really cool. I don't think anyone has the right to be a diva, but there are some artists out there, they've been in the game long enough [that] if any one of those artists ... might have the permission to be a diva, she definitely has earned it — and she wasn't whatsoever," he told the MTV Buzzworthy blog.

So what's Spears like? "She's super polite; she's ridiculously polite. She's soft-spoken," he said. "She's really cute. The way she talks and interacts, you want to hug her. She was super professional, super game. ... It was rad. It was awesome working with her. She's a rad chick."

Another highlight of the shoot for Piliero was working with "Weeds" star Guillermo Diaz on one of the final scenes. In the last part of the video, Spears and the actor are riding in a convertible in the desert as Brit dances around. Diaz displays his comedic chops by doing things like pouring milk all over himself.

"It was definitely a funny moment of the shoot. We let the cameras roll, and the reaction that you see from Britney is definitely a genuine reaction," the director recalled. "When I was going through the footage, I loved the way that she responded. It's so genuine and so funny. It's perfect [and] it definitely is a perfect description of how we all felt about that scene."

Let us know what you think of Britney's "I Wanna Go" video in the comments!

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Michael Jackson's Legacy, Two Years Later, By the Numbers

Legendary singer's impact continues to blossom in the two years since his death; MTV News breaks down the figures.
By Gil Kaufman


Michael Jackson
Photo: Kevin Mazur/ WireImage

Like Elvis, Bob Marley, Notorious B.I.G. and Frank Sinatra before him, Michael Jackson's influence has continued, and grown, since his untimely death on June 25, 2009.

On the second anniversary of the King of Pop's passing, MTV News took a look at the enduring appeal of MJ's music, videos and imagery, which continue to fascinate and attract fans across the globe thanks to a series of posthumous albums, a movie, video games and two upcoming Cirque du Soleil live shows.

Where Were You Two Years Ago When You Heard the News? Tell Us on Facebook

$72 million: According to Box Office Mojo, Jackson's posthumous concert film, "This Is It," has grossed more than $72 million to date domestically and $189 million in foreign markets for a worldwide take over more than $261 million. It ranks as the #2 music documentary of all-time behind Justin Bieber's "Never Say Never." The film has also generated nearly $45 million in DVD sales in the U.S.

16: In May, Jackson lodged his first #1 on the Billboard magazine Dance/ Club Play Songs chart in 16 years with the latest single from his posthumous Michael album, "Hollywood Tonight."

2: Number of posthumous albums that have been released since Michael's death in June 2009. Last year's Michael has sold just over 510,000 copies to date, while the This Is It collection has moved nearly 1 million copies to date in the U.S., according to Nielsen SoundScan.

15,000: The number of videos submitted by fans since March for the crowdsourced video for "Behind the Mask." After they were edited down by a five-person team over two months, the resulting clip used submissions from more than 1,600 participants from 103 countries.

3 million: The amount of copies sold of the Ubisoft "Michael Jackson: The Experience" video game worldwide.

$57 million: The reported cost of Cirque du Soleil's traveling MJ show, "The Immortal World Tour, which is slated to kick off on October 2.

$1 billion: That gaudy figure is the reported amount the Jackson estate had generated by last June on the first anniversary of the singer's death. According to Billboard, the revenue was generated by a combination of music sales ($429 million), film/TV revenue ($392 million), music publishing ($130 million), licensing ($35 million) and a $31 million recording contract. (A spokesperson for Jackson's estate declined to provide updated figures for this story.)

$310 million: The amount of gross earnings reported by the executors of the estate in a December 2010 court filing detailing the progress made in paying off the $400 million in debt run up by the spendthrift singer during his lifetime.

16.1 million: MJ was always a big singles artist. Yes, Thriller is one of the best-selling albums of all time, but even in death, fans can't resist cherry-picking some of Michael's best songs. That explains why he's sold more than 16 million digital tracks since June 28, 2009, the first sales week following his passing, according to Nielsen SoundScan. To put that in perspective, from the time Nielsen began counting digital tracks in 2004 until the week before Jackson's death, the singer had sold just over 8.1 million digital tracks, a figure that has doubled in just the past two years.

2013: The projected launch for a second, non-touring Cirque show celebrating Jackson. The yet-untitled show is slated to open in the spring of 2013 at a new theater being built at the Mandalay Bay Resort & Casino in Las Vegas.

$25 million to $50 million: That's how much Jackson's estate takes in on an annual basis thanks to his stake in the half-million-song Sony/ATV catalog, which includes titles by Elvis, Lady Gaga, Eminem, Beyoncé and Bob Dylan.

Share your memories of Michael Jackson in the comments.

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Beyonce Shrugs Off 'Fear' In 'Year Of 4'

'I've never been afraid to fall,' she says in the special, which debuted Thursday on MTV.
By Jocelyn Vena


Beyoncé in her "Year of <i>4</i>" special
Photo: MTV

It's a good time to be Beyoncé. The singer just released her latest album, 4, and fans were taken behind the scenes of its completion in the special "Beyoncé: Year of 4," which debuted Thursday (June 30) on MTV.

The intimate special opens with black-and-white footage of the singer swimming. "I'm always happy when I'm surrounded by water," she says. "I think I'm a mermaid or I was a mermaid. The ocean makes me feel really small, and it puts my whole life into perspective. ... It humbles you and it grounds you and it makes me feel almost like I've been baptized. Am I the same Beyoncé? Absolutely not."

The special is footage of B's life, complete with montages of the frenzy surrounding her: Video shoots, rehearsals, studio time and photo shoots all pepper her life as she prepares to release her fourth solo studio effort. However, she is quick to point out that, before she got back to work, she needed to decompress in a major way.

"After I finished the last tour, I was a bit overwhelmed and overworked, and my mother was the person that preached to me ... 'You really need to live your life and open your eyes and you don't want to wake up with no memories,' " she explained.

Beyoncé shows what she did on her off-time, which included playing aunt and wife. "I was able to spend time with my family and pick my nephew up from school, and it gave me time to reflect," she said.

In that reflection time, Beyoncé made a major business decision: Her father, Mathew Knowles, would no longer serve as her manager. While explaining the decision, fans are taken back in time thanks to vintage video of the Knowles family. "A real change meant separating from him," she said. "It was scary, but it empowered me, and I wasn't going to let fear stop me."

Fans are once again on Beyoncé's whirlwind world tour as she continues work on her album. "I am a workaholic, and I don't believe in 'no,' " she said. "If I'm not sleeping, nobody's sleeping."

"My focus is not bigger; it's quality, and I want to make sure it's something I'm proud of years from now," she says later on. "It's very difficult managing myself. Every night when I go to sleep, I ask hundreds of questions. I'm making mistakes, and I'm learning from them. I've never been afraid to fall — and I say all these things, but now I'm being tested."

As the special closes, Beyoncé shoots her "Run the World (Girls)" video and continues work on her album, including meetings with record executives. It all ends with B swimming once again, as she says, "I'm learning to drown out the noise. I only have to follow my heart. I run my world."

What did you think of Beyoncé behind-the-scenes world? Let us know in the comments!

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Ian Davis: BeatCrave Fav

The other day I was listening to “In The Morning” by J. Cole featuring Drake, and I thought that the song didn’t belong in today’s music. It was old school, like Nate Dogg-type of old school. Indeed, music, or to be more specific, hop hop, is always changing (for better or worse). Today there’s a [...]

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Pop References In Britney Spears' 'I Wanna Go' Video

From 'Crossroads' to seashells, here's a look at the references in Britney's latest video.


Photo: Jive

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Friday, July 1, 2011

No hay m&#225;s Led Zeppelin

A pesar de lo dicho ayer, Peter Mensch, manager del guitarrista Jimmy Page, se retractó totalmente en eso que la banda buscaría un reemplazo al ultragenial Robert Plant para seguir rockeando y toureándola por el mundo tras su show de 2007 en el O2 Arena de Londres por el poder de la música más sexual de la historia. No habrá más Led Zeppelin, no hay planes de que lo haya.

Mensch comentó: "Led Zeppelin se acabó. Si no los vieron en el 2007, se los perdieron. Probaron reemplazantes a Robert Plant, pero nada funcionó. Se acabó. No hay planes para continuar. Francamente, ojalá todos dejaran de hablar al respecto."

Los fans no están nada contentos, especialmente los británicos, considerando los precios delirantes de las entradas del show reunión.

¿Y a ti? ¿Qué te parece todo esto?

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'Transformers' Stars Reveal Tricks Behind Filming Building-Escape Scene

'We all felt 12 again, sliding down the side of this building, shooting, screaming,' Tyrese Gibson tells MTV News.
By Kara Warner


Shia LaBeouf in "Transformers: Dark of the Moon"
Photo: Jaimie Trueblood

For those who've seen "Transformers: Dark of the Moon," there is so much going on in the film that one could spend the next 12 months breaking down all the dirty details. We've already tackled the nods to "Star Trek" and the "Transformers"-specific Easter eggs, so today we turn our attention to one of the film's most impressive action sequences: the part when evil Decepticon Shockwave sends his massive, spinning, snakelike destroyer after our protagonists, who become trapped in the upper stories of a tall building. The Transformer proceeds to cut the building in half, leaving our heroes no option but to jump out of the windows and slide down the outside of the building to safety.

MTV News had the scene's stars, Shia LaBeouf, Rosie Huntington-Whiteley and Tyrese Gibson, explain how they managed to pull off that sequence.

"The building comes up on what I can only describe as a crane," Whiteley explained of the rig used to support and move the specific set piece. "It tilts to about a 40-degree angle. It's built to look like the outside of a skyscraper," she said. "Shia, myself, Tyrese, the Marines, we all set at the top, Mike [director Michael Bay] would scream 'Action!' and then we would slide down this thing," she recalled. "And then flower pots, chairs, paper and fake glass, tennis balls, every office supply you could possibly think of would get thrown down after us."

Despite the gravity of that particular scene, it turns out that the boys thought of the tilting skyscraper set piece more like a ride at a county fair.

"This thing had to be 150 to 200 feet in the air. It was like a huge slide," Gibson said. "We all felt 12 again, sliding down the side of this building, shooting, screaming, doing everything we had to do in those scenes.

"It was scary stuff," he added with a smile. "It was scary with the idea that we are about to be eaten, eaten alive."

"We shot that for three weeks or so," LaBeouf said. "You're basically pulling yourself on rope to get to the top of the thing. It's like a big slide, you know those slides they have at fairs where you get the little brown bag? Brown bag slides, sort of like that."

Huntington-Whiteley added that in the midst of all the fun had while sliding, she learned very quickly to pay attention to her landing and get out of the way when she reached the bottom of the set piece. "I'd always hit the bottom first. It took one time to realize if I didn't get out of the way really quick, I was going to get flattened by a 300-pound man coming quite quickly after me!"

Check out everything we've got on "Transformers: Dark of the Moon."

For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.

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Selena Gomez, Leighton Meester Recall 'Monte Carlo' Perks

'We rented out the Eiffel Tower, no big deal,' Gomez jokes.
By Christina Garibaldi


Selena Gomez in "Monte Carlo"
Photo: 20th Century Fox

The cast of "Monte Carlo" really lucked out: Not only does the movie, opening Friday (July 1), star some of the biggest young actors in the business — Selena Gomez, "Gossip Girl" Leighton Meester and Cory Monteith of "Glee" fame — but the crew also got a chance to spend two months overseas shooting in some of the most spectacular places in the world.

The film stars Gomez as a young teenager mistaken for a British heiress while vacationing in Paris. The flick follows Gomez, Meester and Katie Cassidy as they encounter adventures on their European tour. Yet, it seems as if the fun continued well after the cameras stopped rolling.

"It was fun both on- and off[screen]," Meester said. "A lot of what was happening offscreen was just an extension of the fun we were having outside."

The cast filmed in several locations, including France, Monaco and Hungary, which was a first for Gomez. "It was really cool to experience all those places for the first time," Gomez said.

Out of all those places, the girls point to Paris as their favorite destination. "We got up in the Eiffel Tower," Meester recalled. "But it wasn't just go up for a trip, we got there all alone. It was just us at 5 a.m. when the sun was just rising. It was really beautiful."

Gomez joked: "We rented out the Eiffel Tower, no big deal."

Yet, Gomez and Meester weren't the only ones to take some offscreen adventures: Monteith made sure to take full advantage of his downtime. "I worked probably one out of five days in the shooting schedule," Monteith said. "I have four days a week off, and I was able to roam around Europe, so I saw 10 countries a month. It was incredible."

Check out everything we've got on "Monte Carlo."

For young Hollywood news, fashion and "Twilight" updates around the clock, visit HollywoodCrush.MTV.com.

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Katy Perry Closing In On Michael Jackson's #1 Singles Record

If 'Last Friday Night (T.G.I.F.)' tops Hot 100, Perry's Teenage Dream will tie MJ's mark of five #1s from a single album.
By James Montgomery


Katy Perry
Photo: John Parra/ WireImage

Katy Perry's unstoppable Teenage Dream album continues to churn out hits ... and now, it might just make history too.

If Dream's fifth single, the just-released "Last Friday Night (T.G.I.F.)", continues its climb to the top of the Billboard Hot 100 (it currently sits at #4, jumping 27 spots from last week), Perry will not only become the first female artist to ever have five #1 songs off one album, she'll be the first artist of any gender to accomplish the feat since Michael Jackson had five chart-topping singles off his Bad album in 1987 and 1988.

Perry's previous #1s from the Dream album are, of course, "California Gurls," "Teenage Dream," "Firework" and "E.T." Jackson's five #1s from the Bad album are "I Just Can't Stop Loving You," "Bad," "The Way You Make Me Feel," "Man in the Mirror" and "Dirty Diana."

Perry has already shattered the Hot 100 record for most consecutive weeks with a single inside the Top 10 (48, a number previously held by Swedish popmeisters Ace of Base), then kept that momentum going by spending an entire year in the chart's upper echelon. More incredibly, that streak is still active, as two of Perry's singles — "T.G.I.F." and "E.T." — sit at numbers 4 and 5, respectively.

What's more, "T.G.I.F" currently sits atop the Billboard Digital Songs chart, and may soon be her sixth single to pass the 4 million mark in digital sales, joining "E.T.," "California Gurls," "Firework," and from her One of the Boys album, "Hot N Cold" and "I Kissed a Girl." No other artist has even had four songs pass the 4 million download mark ... Perry's closest competitors in that regard are Lady Gaga and Rihanna, both of whom have had three 4 million-sellers.

What do you think of Katy Perry's chart streak? Sound off in the comments!

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'American Idol' Contestants Hope Jennifer Lopez Returns

'It would be kind of sad if she didn't come back,' Naima Adedapo says.
By Jocelyn Vena, with reporting by Matt Elias


Jennifer Lopez and Randy Jackson on "American Idol"
Photo: FOX

While Randy Jackson and Steven Tyler are locked in for another season of "American Idol," Jennifer Lopez's presence at the judges' table next year is still to be determined. While the top 10 finalists on Tyler and Lopez's rookie season were rehearsing for their Idols Live! Tour, they told MTV News they'd be pretty upset if Lopez didn't return.

"I love Jennifer Lopez; she's been nothing but nice to all of us, and backstage, she is as nice as she comes across on TV," Paul McDonald told MTV News. "It'd be great for her to come back. It kind of depends on what path she wants to do with her own life now. Obviously, I'd want her back. I'll watch the show next year if she comes on there."

Naima Adedapo fondly remembered J.Lo's warm demeanor on the set. "That was a big part of our experience: seeing her across from us and seeing her do her little rock while we were singing and what not," she recalled. "I feel like it would be kind of sad if she didn't come back. I think that's something we look forward to, just because it was something that we had."

Pia Toscano also seemed to be bummed out by the possibility that Jenny from the Block might not come back to judge the reality show again. "She's amazing [and] such a great addition to the show," she said. "I think the panel this year was awesome. Jennifer was pretty spot on every time with her critiques and her constructive criticism. I'm gonna miss her if she goes. I think she added so much to the show."

Scotty McCreery admitted that he was initially unsure the show would work with the new class of judges, and without Simon Cowell. However, once he was on he felt differently. "It was such a great a season for us," he said. "Now it's like I couldn't see it any other way. For us, it's weird to think about."

Casey Abrams mirrored those remarks, adding, "First of all, they're incredible judges. We pulled in lots of viewers, and there's more votes than ever, and I hope she comes back."

Haley Reinhart kept a sense of humor about Lopez's decision. "You know, maybe she figured we already made her the most beautiful woman in the world, and she can leave now, walk away," she joked.

Get your "Idol" fix on MTV News' "American Idol" page, where you'll find all the latest news, interviews and opinions.

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