Saturday, November 5, 2011

'Breaking Dawn' Wedding 'Emotional' For Kristen Stewart

'You stand there in a suit, and then everyone is looking at the girl,' Robert Pattinson chimes in during 'MTV First: Breaking Dawn.'
By Kara Warner, with reporting by Josh Horowitz


Kristen Stewart
Photo: MTV News

Forget the fanfare surrounding the royal wedding or even Kim Kardashian's now-infamous nuptials: For "Twilight" fans, the wedding of the year (possibly the century) is undoubtedly that of Isabella Marie Swan and Edward Anthony Masen Cullen in "The Twilight Saga: Breaking Dawn - Part 1."

Here at MTV News, we've been gearing up for the big day with a few very special exclusives. On Thursday, Kristen Stewart, Robert Pattinson and Taylor Lautner introduced a never-before-seen clip from the movie and stuck around for a lengthy Q&A after the clip's debut — the main action of which revolved around Bella's prep for her wedding.

When asked to describe the mood on set during the filming of Bella and Edward's big day, Stewart admitted that she was surprised by how much it affected her.

"It was very, very emotional for me," Stewart said. "I don't know about these guys."

"You kind of realize what the groom's position in a wedding is," Pattinson jumped in. "Which, in reality, is basically a prop. You stand there in a suit, and then everyone is looking at the girl."

Speaking of the girl, Pattinson has told us previously that his co-star stole the show during the filming of that particular scene, and the rest of the cast seemed to feel something special in the air as well.

"[Kristen] looked amazing," Pattinson told us of seeing Stewart in Bella's wedding dress. "I really didn't do anything much but just stand there."

"[The wedding scene was] beautiful and spectacular," Peter Facinelli has said. "It's funny, because whenever we have a big important scene on 'Twilight' [movies], it rains. I was doing the baseball sequence [from 'Twilight'], and it was raining. But you never see it on film," he said of the crew's movie magic. "With this wedding, it rained the whole time we shot the two scenes. But you'll never see it on film; they block out the rain. They put tarps up, and you'll never see it. But for us, it was very wet and muddy and cold."

"When I see this onscreen, it is going to feel epic," Nikki Reed told us back in July.

"There were really beautiful elements to it," Ashley Greene added. "Like, if you took out the fact that it was so cold and just looked at it like a picture, it was picture-perfect."

Stick with MTV News for much more from our exclusive Q&A with Kristen Stewart, Robert Pattinson and Taylor Lautner!

Check out everything we've got on "The Twilight Saga: Breaking Dawn - Part 1."

For young Hollywood news, fashion and "Twilight" updates around the clock, visit HollywoodCrush.MTV.com.

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Robert Plant And Alison Krauss Win Grammy Album Of The Year

Raising Sand, from Led Zeppelin vet and bluegrass superstar, wins five Grammys on Sunday night.
By James Montgomery with MTV News staff


Alison Krauss and Robert Plant accept the award for Album of the Year at the Grammy Awards on Sunday
Photo: Kevin Winter/ Getty Images

"I'm bewildered," Robert Plant said onstage as he accepted the Grammy Album of the Year award with Alison Krauss on Sunday night. "In the old days we would have called this selling out, but it's a good way to spend a Sunday."

He was probably one of the few who were surprised, because Raising Sand, which won five trophies at Sunday night's show, is in many ways the perfect Grammy album. It features two respected veterans, a critically lauded producer, some sandpaper-and-velvet vocals and a baker's dozen of time-tested standards.

You're probably familiar with Robert Plant from his Led Zeppelin days, and you might be aware of producer T-Bone Burnett's work on the "O Brother, Where Art Thou?" soundtrack (it won the Grammy for Album of the Year in 2002). And if you don't know who Alison Krauss is, she possesses a haunting set of pipes and is one of the meanest fiddle players in the world. Oh, and she's won 21 Grammys, more than any other female artist and the seventh-most in history.

Really, she's the key to Sand's success, and not just because of her voice (or her fiddle playing). She and Plant first met in 2004, at a Rock and Roll Hall of Fame tribute to legendary bluesman Leadbelly, and the former Zeppelin man was amazed by her knowledge of American Roots music — so much so that they began kicking around the idea of recording an album together. Three years later, Sand was released.

And while Plant possesses the more famous voice, the album's finest moments radiate from Krauss. Whether she's getting bluesy on Little Milton's "Let Your Loss Be Your Lesson" or entwining with Plant's husky voice on songs like "Please Read the Letter" and Roly Salley's winsome "Killing the Blues," she more than carries her end of the bargain.

And perhaps that's also due to producer Burnett, who handpicked the 13 songs the duo cover on Sand. His arrangements are sparse — giving the two voices ample room to breathe — yet dense, warm and crackling at the same time. It's a testament to his work that he's often given just as much billing as Plant and Krauss on the project ... and it's certainly justified.

To date, Sand has sold more than 1 million copies, heaped tons of acclaim and actually earned a Grammy last year — "Gone Gone Gone (Done Moved On)" took home the award for Best Pop Collaboration With Vocals.

One expert was surprised not by the album's success, but by the fact that it's actually quite a good album.

"At first, the album seemed like a vanity project. ... Two names, clearly a one-off record, didn't have to be any good, you know?" New York Times music critic Jon Caramanica said. "Led Zeppelin fans would buy it because of Robert Plant, Alison Krauss would get a check. But it actually turned out to be a really thoughtful, really good record. So when you combine all that with the fact that the Grammys love to lionize one of their own, I could really see it taking home some awards."

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Watch Our Exclusive 'Breaking Dawn' Q&A Now!


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'Breaking Dawn' Wedding 'Emotional' For Kristen Stewart

'You stand there in a suit, and then everyone is looking at the girl,' Robert Pattinson chimes in during 'MTV First: Breaking Dawn.'
By Kara Warner, with reporting by Josh Horowitz


Kristen Stewart
Photo: MTV News

Forget the fanfare surrounding the royal wedding or even Kim Kardashian's now-infamous nuptials: For "Twilight" fans, the wedding of the year (possibly the century) is undoubtedly that of Isabella Marie Swan and Edward Anthony Masen Cullen in "The Twilight Saga: Breaking Dawn - Part 1."

Here at MTV News, we've been gearing up for the big day with a few very special exclusives. On Thursday, Kristen Stewart, Robert Pattinson and Taylor Lautner introduced a never-before-seen clip from the movie and stuck around for a lengthy Q&A after the clip's debut — the main action of which revolved around Bella's prep for her wedding.

When asked to describe the mood on set during the filming of Bella and Edward's big day, Stewart admitted that she was surprised by how much it affected her.

"It was very, very emotional for me," Stewart said. "I don't know about these guys."

"You kind of realize what the groom's position in a wedding is," Pattinson jumped in. "Which, in reality, is basically a prop. You stand there in a suit, and then everyone is looking at the girl."

Speaking of the girl, Pattinson has told us previously that his co-star stole the show during the filming of that particular scene, and the rest of the cast seemed to feel something special in the air as well.

"[Kristen] looked amazing," Pattinson told us of seeing Stewart in Bella's wedding dress. "I really didn't do anything much but just stand there."

"[The wedding scene was] beautiful and spectacular," Peter Facinelli has said. "It's funny, because whenever we have a big important scene on 'Twilight' [movies], it rains. I was doing the baseball sequence [from 'Twilight'], and it was raining. But you never see it on film," he said of the crew's movie magic. "With this wedding, it rained the whole time we shot the two scenes. But you'll never see it on film; they block out the rain. They put tarps up, and you'll never see it. But for us, it was very wet and muddy and cold."

"When I see this onscreen, it is going to feel epic," Nikki Reed told us back in July.

"There were really beautiful elements to it," Ashley Greene added. "Like, if you took out the fact that it was so cold and just looked at it like a picture, it was picture-perfect."

Stick with MTV News for much more from our exclusive Q&A with Kristen Stewart, Robert Pattinson and Taylor Lautner!

Check out everything we've got on "The Twilight Saga: Breaking Dawn - Part 1."

For young Hollywood news, fashion and "Twilight" updates around the clock, visit HollywoodCrush.MTV.com.

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Justin Bieber Is Possibly a Baby-Daddy

This just in: Apparently ‘Baby, Baby, Baby, oh’ singer Justin Bieber�may be singing a different tune now that people are talking about something other than just 2 billion YouTube views�and a new album release–seems he’s been accused of fathering a child with a fan behind the scenes at one of his shows at the L.A. [...]

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Beyonce Delivers 'Live At Roseland' DVD Next Month

B's four-night stand at Roseland Ballroom arrives on DVD by Thanksgiving.
By Jocelyn Vena


Beyoncé (file)
Photo: Getty Images

Back in August, Beyoncé played four hotly hyped, sold-out shows at New York's Roseland Ballroom, the same venue where Radiohead played a two-night stand last month. If you weren't one of the lucky few who snagged a ticket to Beyoncé's celebration of her 4 album, don't worry. The singer will release a new concert DVD, "Live at Roseland," on November 21.

The DVD, which captures the "4 Intimate Nights with Beyoncé" event, will be sold exclusively at Walmart and includes 26 songs from her cabaret show and concert, which took place shortly before she officially announced her pregnancy at the 2011 MTV Video Music Awards. The DVD not only includes a montage of B's finest tunes, both with Destiny's Child and as a solo star, but also features the singer candidly revealing the stories behind the greatest moments in her career.

In addition to a retrospective of hits, Beyoncé also brought things up to date during those string of Roseland concerts, playing her 2011 album, 4, in its entirety.

Jay-Z's favorite lady, who just dropped her video for "Party," will also release, on November 29, a deluxe DVD package, "Live at Roseland: The Elements of 4." The pack will include plenty of extras that Beyoncé fans should go crazy over, including a two-disc DVD featuring the concert, bonus footage, previously unreleased videos, a booklet and a video anthology.

November 21 is shaping up to be a big day for pop fans. Lady Gaga releases her very own concert DVD special that day, in addition to the Born This Way the Remix album. Even better, she'll bundle those two new items with her original Born This Way album for the ultimate Gaga gift, called Born This Way: The Collection.

Which DVD special are you most excited for? Tell us in the comments!

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Friday, November 4, 2011

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Fans Destroy Stage, Equipment After Metallica?s First Concert In India Gets Cancelled

Well, looks like Metallica fans in India have decided to give the Juggalos a run for their money?turns out that Metallica was set to play a show in Dehli this on Friday, but postponed the gig ?after a security barrier in front of the stage collapsed.?� So how did fans in India respond?� By destroying [...]

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Justin Bieber Wins Race to 2 Billion YouTube Views

You may have heard that Justin Bieber unleashed his Christmas spirit upon the world today in the form of an album–wait, you didn’t hear that? You mean you’re not going to a real store to buy the compact disc version in hopes of winning a wonka-esque ticket found in one of the cases to see [...]

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Usher To Donate Gadhafi Money To Charity

'I will be donating all of my personal proceeds...to various human rights organizations,' singer says of concert linked to Libyan dictator.
By Shawn Adler


Usher (file)
Photo: Getty Images

R&B superstar Usher announced Friday (March 4) that he was donating to various charities proceeds from appearing at a private event at St. Barts linked to Libyan dictator Moammar Gadhafi, according to a statement made to the Associated Press.

The Grammy award winner's renouncement comes after similar announcements from singers Mariah Carey, Nelly Furtado, and Beyoncé, all of whom were revealed to have performed at private concerts linked to the Middle Eastern leader, who has faced open revolt and major political uprisings since February.

"I am sincerely troubled to learn about the circumstances surrounding the Nikki Beach St. Bart's event that took place on New Year's Eve 2009," Usher said of the concert, at which he appeared alongside Beyoncé but did not perform. "I will be donating all of my personal proceeds from that event to various human rights organizations."

Usher has already begun the process, having made a donation to Amnesty International, the AP reports. The exact size of the donation is not known.

The New Year's Eve gig was reportedly for Moammar's fourth son Muastassim, who an unnamed music industry source told MTV News has a history of throwing lavish parties "jammed" with supermodels.

Beyoncé, who sang at the event, donated all proceeds from her performance to the Clinton-Bush Haiti Fund, established in the wake of the Haitian earthquake.

"All monies paid to Beyoncé for her performance at a private party at Nikki Beach St. Barts on New Year's Eve 2009, including the commissions paid to her booking agency, were donated to the earthquake relief efforts for Haiti over a year ago," the "Halo" singer's publicist said in a statement to The Huffington Post. "Once it became known that the third-party promoter was linked to the Qaddafi family, the decision was made to put that payment to a good cause."

Singer Nelly Furtado tweeted February 28 that she plans to make similar amends.

"In 2007, I received 1million$ from the Gadhafi clan to perform a 45 min. show for guests at a hotel in Italy," she tweeted. "I am going to donate the $."

The leader of Libya since a successful military coup in 1969, Gadhafi has reportedly lost control of much of his country as a result of widespread uprisings. The United Nations voted unanimously to refer the dictator to the International Criminal Court for crimes against humanity.

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Beyonce's 'Countdown' Dancing 'Surprised' Original Choreographer

Anne Teresa de Keersmaeker is not 'angry or honored' by similarities to her '80s and '90s dances.
By Gil Kaufman


Beyoncé in her video for "Countdown"
Photo: Columbia

Imitation may be the sincerest form of flattery, but Belgian choreographer Anne Teresa de Keersmaeker is not flattered — nor angry — about claims that Beyoncé's "Countdown" video pays unattributed homage to one of her clips.

"Like so many people, I was extremely surprised when I got a message through Facebook about the special appearance of my two choreographies — 'Rosas danst Rosas' (1983) and 'Achterland' (1990) — in Beyoncé's new videoclip 'Countdown,' " De Keersmaeker wrote in a statement on the Performance Club website on Monday.

Not long after the clip for B's latest debuted, a number of websites pointed out the similarities between De Keersmaeker's work and the steps in Beyoncé's video. Before those side-by-side comparisons started popping up, the video's director, Adria Petty, told MTV News it was an homage to such icons as Audrey Hepburn and the Supremes, as well as classic films such as "West Side Story" and "Funny Face."

In it, Beyoncé not only shows her signature personality and spirit but also her emerging baby bump, and Petty said she presented the singer with a number of classic references, including some German modern-dance clips.

"Obviously," De Keersmaeker continued, "Beyoncé, or the video clip director Adria Petty, plundered many bits of the integral scenes in the film ... People asked me if I'm angry or honored. Neither. [O]n the one hand, I am glad that 'Rosas danst Rosas' can perhaps reach a mass audience, which such a dance performance could never achieve, despite its popularity in the dance world since [the] 1980s. And Beyoncé is not the worst copycat, she sings and dances very well, and she has a good taste! On the other hand, there are protocols and consequences to such actions, and I can't imagine she and her team are not aware of it."

Among the scenes juxtaposed in a popular online mash-up is one in which B is filmed through a window as her similarly dressed dancers cavort in the background, tugging on her shirt and hair in a fashion that is nearly identical to De Keersmaeker, who also sports a similar chopped-bangs look.

De Keersmaeker stressed that she's not angry over the alleged appropriation, but she did wonder why it has taken mainstream pop culture 30 years to recognize her experimental dance work. "A few months ago, I saw on Youtube a clip where schoolgirls in Flanders are dancing 'Rosas danst Rosas' to the music of 'Like a Virgin' by Madonna," she continued. "What does it say about the work of 'Rosas danst Rosas'? In the 1980s, this was seen as a statement of girl power, based on assuming a feminine stance on sexual expression. I was often asked then if it was feminist. Now that I see Beyoncé dancing it, I find it pleasant but I don't see any edge to it. It's seductive in an entertaining consumerist way."

A spokesperson for Beyoncé could not be reached for comment at press time. But according to The New York Times, in a statement Beyoncé explained, "Clearly, the ballet 'Rosas danst Rosas' was one of many references for my video 'Countdown.' It was one of the inspirations used to bring the feel and look of the song to life ... I was also paying tribute to the film 'Funny Face' with the legendary Audrey Hepburn ... My biggest inspirations were the '60s, the '70s, Brigitte Bardot, Andy Warhol, Twiggy and Diana Ross ... I've always been fascinated by the way contemporary art uses different elements and references to produce something unique."

Earlier this year at the Billboard Music Awards, Beyoncé was also accused of mimicking the choreography of a dance by Italian pop singer Lorella Cuccarini. Knowles later acknowledged being inspired by Cuccarini.

De Keersmaeker noted one other, more subtle similarity between her work and Beyoncé's, one that may not be obvious to the casual side-by-side Web observer. While Beyoncé is around four months pregnant in her clip, De Keersmaeker said when she filmed her 1996 film, she was also pregnant, with her second child. "So, today, I can only wish her the same joy that my daughter brought me," she wrote.

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Thursday, November 3, 2011

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Amy Winehouse, Nas Duet 'Like Smoke' Debuts

First single from Winehouse's posthumous album premiered on New York's Hot 97 Wednesday.
By Gil Kaufman


Amy Winehouse
Photo: MTV News

The world got its first taste of Amy Winehouse's upcoming posthumous album, Lioness: Hidden Treasures, when the late singer's duet with rapper pal Nas premiered on New York's Hot 97 on Wednesday.

The tune from the album, due December 6, is called "Like Smoke," and it was recorded in May 2008 and produced by Amy's longtime collaborator Salaam Remi. It features Winehouse singing in her signature slurry blues drawl over a classic Motown downbeat as Mr. Jones serves up some of his knotty verses.

In fact, while Winehouse sings the five-line hook on the tune, it is Nas who does the heavy lifting, courtesy of two dense verses packed with references to his personal travails, from love and marriage to taxes, the recession and, way before it was a thing, a line about a tall freak who "wouldn't protest with me at Wall Street."

"I never wanted you to be my man/ I just need your company," Winehouse croons over a loping beat, skittering drums and subtle strings and flute. "Don't want to get dependent on/ Your time then lose the way you love me/ Like smoke, I hung around."

Then it's Nas' turn, as the MC breaks off his first rapid-fire verse: "It's not a movie, this is not a script or proofread/ I'll spit some untruths to dumb fools and groupies/ Fun to punctuate, pronunciate the funds I make." The rapper, who split with wife Kelis in 2009, then appears to get personal, rhyming, "Like a polygamist, with a twist/ Will I marry again? Maybe, I guess/ I hold a lady's interest, I just me/ The love scholar, she the teacher's pet."

Nas and Winehouse were pals from way back, with the singer name-dropping her New York friend on the track "Me and Mr. Jones" from her breakthrough Back to Black album.

Though a press release about the album said the song was tracked as far back as early 2008, Nas' second verse feels ripped from the headlines. "Yo, this recession is a test/ It's affecting my complexion/ Misdirection my affection/ My concerns are bill collections," he rhymes, going on to complain about the tax man coming after him and some impropriety on the part of his money handlers. "Evaluate the world bank trusts like I'm IEG," he adds. "Tall freak, she wouldn't protest with me at Wall Street/ She says, no, you're so deep."

He ends his second verse with a tribute to Winehouse, rapping, "NYC to U.K. I might stay there/ Everybody in the club tonight say, 'Yeah'/ You know how me and Amy are, straight players."

On Thursday (November 3), Hot 97 also premiered another track from the album, "Our Day Will Come," Amy's funky reggae take on the 1960s doo-wop tune by Ruby & the Romantics.

Winehouse died in July at age 27 as a result of excessive alcohol intake. Some of the proceeds from the sales of the album will go to the Amy Winehouse Foundation, a charity set up by the singer's family to fight addiction.

What do you think of the new Winehouse songs?

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Michael Jackson Doctor Brought To Tears By Former Patients' Testimony

Conrad Murray's defense team presented a series of character witnesses who praised his skills as a physician.
By Gil Kaufman


Dr. Conrad Murray appears in court Wednesday
Photo: Getty Images

The day after one of Michael Jackson's former nurses was brought to tears while testifying at the involuntary manslaughter trial of the singer's former doctor, Conrad Murray, it was the cardiologist who got weepy on Wednesday (October 26) as his defense team produced a series of witnesses attesting to Murray's skills as a physician.

The Witnesses
» Andrew Guest, former patient of Conrad Murray
» Gerry Causey, former patient
» Lunette Sampson, former patient
» Ruby Mosley, former patient

Key Testimony
» After weeks of prosecution witnesses hammering away at what they deemed Murray's unprofessional, sloppy work in the final, crucial hours of MJ's life, the cardiologist's defense team spent Wednesday serving up a string of character witnesses to speak on Murray's behalf, according to the Los Angeles Times. The patients from Murray's Las Vegas and Houston practices talked about the hours he spent speaking to them, calling them at home and on weekends, and the free services he offered to those who were indigent. "That man sitting there is the best doctor I've ever seen," said Andrew Guest, who Murray treated for a heart condition in 2002. "I'm alive because of that man." Their testimony caused Murray to well up with tears at various points.

» Longtime patient and friend Causey said his appointments with Murray often lasted more than four hours, with the doctor often calling Causey's wife afterward to explain his treatment. Sampson also testified to Murray's careful, exhaustive attention and Mosley said Murray set up a clinic in a low-income neighborhood in honor of his father, who was a physician in that area.

» While cross-examining the witnesses, prosecutor David Walgren pointed out that each patient had received care for heart-related ailments and were not treated for sleep disorders or drug dependency. Prosecutors have said Murray's motivation to give Jackson the surgical anesthetic propofol was his promised six-figure monthly salary.

» Each patient also noted that when Murray did sedate them it was in a hospital setting with monitoring equipment and backup personnel. Prosecutors have argued that Murray did not have proper monitoring equipment or a nurse assistant when he gave Jackson a fatal dose of propofol and then left the room on June 25, 2009.

» When jurors left for the day, Superior Court Judge Michael Pastor spoke directly to Murray and reminded him that he has a right to choose whether or not he testifies on his own behalf in the trial. Pastor said he would ask Murray for an answer on that question later this week when the defense rests its case. Murray was not listed on Thursday's defense witness roster submitted by attorney Ed Chernoff.

Murray, who was being paid $150,000 a month to care for Jackson, has pleaded not guilty to the felony charge of involuntary manslaughter and is now facing four years in prison. But new sentencing laws in California aimed at mandatorily reducing state prison overcrowding mean that, as a nonviolent offender with no prior record, he could be sentenced to county jail instead. If that is the case, his sentence could be reduced to two years and, because of overcrowding in the Los Angeles County jail, he may be allowed to serve the majority of his time under supervised house arrest.

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Usher - Promise

Promise

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Beyonce Puts 'Love On Top' In New Video Tease

Queen B is reportedly set to release her latest 4 video this week, just a week after she dropped 'Countdown.'
By Jocelyn Vena


Beyonce in the "Love on Top" music video teaser
Photo: Columbia

Just days after she released her video for "Countdown," are you feeling like you already need a new Beyoncé video? No problem. Queen B's got your back!

Even though she just released the Adria Petty-directed, retro-fied clip for "Countdown" last Thursday on MTV and her "Party" clip is waiting in the wings, Beyoncé isn't holding back her video for "Love on Top." A teaser for the latest single from 4 dropped over the weekend.

Find out what the "Countdown" director had to say about B's video shoot!

The short clip features Beyoncé in an all-black spandex bodysuit, rocking a bedazzled captain's hat, tights and high-top sneakers. She shimmies in perfect step with her all-male backup singers as she smiles her way through the song. The video has the appearance of a performance rehearsal taking place in a loft space full of windows.

While her baby bump was on full display in her "Countdown" video, she doesn't appear to be rocking one in this video. Essence.com reported that the video is slated to drop this week, though no further details are available.

In the minute-plus video tease for "Love on Top," we see B on the same set with the same group of dancers — a far cry from the multicolored, manically edited "Countdown" clip that premiered on MTV last Thursday. The mom-to-be referenced everything from "Funny Face" to "Flashdance" in the fast-paced video, which matched the song's urgent beat. Co-director Adria Petty told MTV News that she and Beyoncé handpicked the video's many pop-culture references. "I brought Beyoncé a number of references and we picked some out together," Petty revealed. "Most were German modern-dance references, believe it or not. But it really evolved."

Beyoncé famously performed "Love on Top" at the VMAs back in August. As she danced around the stage in her sequined blazer, it was her baby bump reveal at the end of her performance that made headlines, serving as confirmation that she and Jay-Z are expecting their first baby together.

The video tease is a variation on the VMA performance, which featured Beyoncé performing the track with several backup singers. That night, Beyoncé took the stage and, during the opening notes of the song, told the room, "Tonight I want you to stand up on your feet. I want you to feel the love that's growing inside of me."

Share your thoughts on Beyoncé's "Countdown" video by leaving them on our Facebook!

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Beyonce's 'Love On Top' Tease: Five Key Scenes

A nod to New Edition's classic boy band moves is just one of the reasons we can't wait for B's next clip.
By Rebecca Thomas


Beyoncé in the "Love on Top" music video teaser
Photo: Columbia

It's only been a week since Beyoncé dropped her frenetic "Countdown" video, but she's already gearing up to hit the eject button on another clip from her 4 album. Some fans got their first taste of "Love on Top" when B debuted it (along with that baby bump!) at the 2011 MTV VMAs. But while she gave the retro-leaning track the doo-wop treatment, sporting a sequined Dolce & Gabbana blazer at the show, she'll revisit another musical era for the video.

New Edition's '80s smash "If It Isn't Love" is the clear inspiration in the 82-second tease of Beyoncé's video. And although the superstar has been doing damage control over claims she referenced another artist's work too liberally in her "Countdown" clip, we only want to see more of how B recharged the Boston boy band's classic choreography.

Check out how the "Countdown" director dealt with B's "special arrival."

Check out our five favorite things from the wisp of a preview, and share yours in the comments section!

If It Isn't 'Love on Top'
N.E.'s 1988 hit from their album Heart Break is a crazy melodic uptempo ballad with singer Ralph Tresvant tackling the lead. In the super spare clip, casually dressed bandmates Tresvant, Ricky Bell, Ronnie DeVoe, Michael Bivins and — taking over for the newly solo Bobby Brown — Johnny Gill turn a dance rehearsal into a stage-worthy triumph. In the sneak peek, B is backed by five T-shirt-rocking male dancers who help her recreate the quintet's smokin' steps. Even her studio, with its multiple window views, looks like it was shot in the exact same spot.

All Hail, King B
While B's head gear may call to mind a certain Ugandan dictator among kids who paid attention in AP History, there's only one power this diva exercises in the land of Beyoncéstan: forcing you to dance.

If the Shoe Fits
Not even pregnancy can keep Beyoncé out of her towering Brian Atwoods. Still, after peeping her in '60s-style ballet flats in the "Countdown" visual, we were just gushing over how the singer paired black nylons and a bodysuit with sneakers. The Ash footwear line's white-soled Biba shoe, to be specific. A new look for B, and we like!

Brook Payne, Bring the Pain
B and her longtime choreographer Frank Gatson Jr. have traveled far and wide when it comes to seeking dance inspiration for her visuals. For "Run the World (Girls)," for instance, the pair famously sent a search team to Mozambique to track down the African Tofo Tofo dancers whose hard-to-replicate steps (captured in YouTube videos) had hypnotized them. But for "Top," B's team turns to the work of Brook Payne, veteran choreographer for New Edition. Payne makes a cameo and delivers the monologue at the top of the N.E. clip — maybe Gatson will too?

When we caught up with the re-formed, six-strong group at the Essence Festival in June, Bobby Brown spoke to MTV News about Payne's mastery and why that footwork has been so often imitated. "It's a lot of things that I'm capable of doing, but New Edition steps, whether you think so or not, they're probably one of the hardest things in dance that you could do," Brown said.

The Diva Fan
Ahh, the diva fan: From "Crazy in Love" to "Single Ladies (Put a Ring on It)," B seldom hits a video set without it, and it always blows to the left, to the left.

What are you hoping for from B's "Love on Top" video? Tell us in the comments!

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Wednesday, November 2, 2011

'21 Jump Street' Trailer: Five Key Scenes

Trailer references Jonah Hill's 'Superbad' and includes an appearance by a certain 'Parks and Recreation' star.
By Eric Ditzian


Jonah Hill in the "21 Jump Street" trailer
Photo: Columbia Pictures

The Twitter war between Jonah Hill and Channing Tatum to see who'd get to tweet the "21 Jump Street" red-band trailer didn't exactly work out as planned. Hill won, yet for some reason didn't send out the link, so Tatum stepped in and executed the tweetage. But the new footage is nonetheless here.

The action-comedy — based on Johnny Depp's '80s TV series, of course — stars Hill and Tatum as two young cops who join a resurrected undercover unit, pose as students and infiltrate a local high school to get to the bottom of a synthetic-drug ring. Depp's cameo, unsurprisingly, doesn't pop up in the new footage, but what else does? Let's go ahead and take a look at the trailer's five key moments.

A Lifetime of Being Badass Mother$#@*&%s!
Yes, that's basically the professional goal of Schmidt (Hill) and Jenko (Tatum) when they join the police force. Once in uniform, though, badassery is hardly in the job description. Just look at those poor dudes biking around a park, their helmets and shorts almost as lethal to their images as their guns would be to the bad guys. One botched drug bust later, however, and it's on to the Jump Street squad.

Fitting In, Getting High
The kids at the drug-filled high school are understandably skeptical of the two new students. As Dave Franco puts it, Tatum looks like he's 40. So the cops have to fit in, which involves them taking the synthetic drug that comes in a package with a logo that looks, well, like a red pile of dog poop with a halo above it. So what does the drug do? According to the trailer, it makes you run through hallways and be rude to teachers, plus it leaves your tongue feeling really, really weird.

Do the Honors, Ron Swanson
You knew it was coming, that moment when one character urges a few others to head on down to 21 Jump Street. In theory, there's something inherently nod-to-the-TV-show cheesy about it. Luckily, the honors are bestowed on Nick Offerman, otherwise known as Ron Swanson from "Parks and Recreation." In his hands, with that man's-man beard of his, the line comes out as both hokey and humorous. Well done, Mr. Swanson, or whatever your name in this movie is.

The "Superbad" Callbacks
The trailer doesn't just hearken back to Depp's TV show. It also includes two moments unmistakably linked to Hill's 2007 breakout comedy, "Superbad." In one, Hill and Tatum exit a liquor store that looks a whole heck of a lot like the one where McLovin' tried to score booze for a party. Later, Hill is hit by a car and flung backward, yet isn't so banged and bruised that he can't pop off a curse-filled one-liner. Remember how a similar car-crash-and-curse befell Hill outside McLovin's liquor store in "Superbad"?

Guns, F-Bombs and Prom
For years, Hill has been promising that his "21 Jump Street" wouldn't be a parody, some weak-sauce bastardization of the TV series. He wasn't kidding. This is a hard-R action-comedy filled with foul language, guns galore, a few explosions and the odd sight of Hill asking Tatum to go to prom with him, a date that requires both of them to suit up with enough firepower to take on the T-1000. Now that is a brawl we'd kill to see.

Check out everything we've got on "21 Jump Street."

For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.

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Michael Jackson Doctor Brought To Tears By Former Patients' Testimony

Conrad Murray's defense team presented a series of character witnesses who praised his skills as a physician.
By Gil Kaufman


Dr. Conrad Murray appears in court Wednesday
Photo: Getty Images

The day after one of Michael Jackson's former nurses was brought to tears while testifying at the involuntary manslaughter trial of the singer's former doctor, Conrad Murray, it was the cardiologist who got weepy on Wednesday (October 26) as his defense team produced a series of witnesses attesting to Murray's skills as a physician.

The Witnesses
» Andrew Guest, former patient of Conrad Murray
» Gerry Causey, former patient
» Lunette Sampson, former patient
» Ruby Mosley, former patient

Key Testimony
» After weeks of prosecution witnesses hammering away at what they deemed Murray's unprofessional, sloppy work in the final, crucial hours of MJ's life, the cardiologist's defense team spent Wednesday serving up a string of character witnesses to speak on Murray's behalf, according to the Los Angeles Times. The patients from Murray's Las Vegas and Houston practices talked about the hours he spent speaking to them, calling them at home and on weekends, and the free services he offered to those who were indigent. "That man sitting there is the best doctor I've ever seen," said Andrew Guest, who Murray treated for a heart condition in 2002. "I'm alive because of that man." Their testimony caused Murray to well up with tears at various points.

» Longtime patient and friend Causey said his appointments with Murray often lasted more than four hours, with the doctor often calling Causey's wife afterward to explain his treatment. Sampson also testified to Murray's careful, exhaustive attention and Mosley said Murray set up a clinic in a low-income neighborhood in honor of his father, who was a physician in that area.

» While cross-examining the witnesses, prosecutor David Walgren pointed out that each patient had received care for heart-related ailments and were not treated for sleep disorders or drug dependency. Prosecutors have said Murray's motivation to give Jackson the surgical anesthetic propofol was his promised six-figure monthly salary.

» Each patient also noted that when Murray did sedate them it was in a hospital setting with monitoring equipment and backup personnel. Prosecutors have argued that Murray did not have proper monitoring equipment or a nurse assistant when he gave Jackson a fatal dose of propofol and then left the room on June 25, 2009.

» When jurors left for the day, Superior Court Judge Michael Pastor spoke directly to Murray and reminded him that he has a right to choose whether or not he testifies on his own behalf in the trial. Pastor said he would ask Murray for an answer on that question later this week when the defense rests its case. Murray was not listed on Thursday's defense witness roster submitted by attorney Ed Chernoff.

Murray, who was being paid $150,000 a month to care for Jackson, has pleaded not guilty to the felony charge of involuntary manslaughter and is now facing four years in prison. But new sentencing laws in California aimed at mandatorily reducing state prison overcrowding mean that, as a nonviolent offender with no prior record, he could be sentenced to county jail instead. If that is the case, his sentence could be reduced to two years and, because of overcrowding in the Los Angeles County jail, he may be allowed to serve the majority of his time under supervised house arrest.

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'Twilight' Fan-Favorite Moment #4: Taylor Lautner's Abs

We're counting down your favorite 'Twilight Saga' moments before Rob, Kristen and Taylor join us live Thursday at 7:56 p.m. ET on MTV!
By Jocelyn Vena


Taylor Lautner, as Jacob Black, shows off his abs in "New Moon"
Photo: Summit

Twilighters are just days away from the premiere of "MTV First: Breaking Dawn - Part 1", which goes live Thursday on MTV at 7:56 p.m. ET with Kristen Stewart, Robert Pattinson and Taylor Lautner unveiling a previously unreleased clip from the fourth installment of the "Twilight" franchise. Following MTV's special, the three stars will sit down for an exclusive Q&A on MTV.com.

Of course, in anticipation of Thursday's MTV premiere, devoted Bella, Edward and Jacob followers are one step closer to learning what might be the #1 fan-voted "Twilight" moment.

We already know that the "Eclipse" tent scene, showing the friendly rivalry between Edward and Jacob, sits at #5, and a particularly sexy scene stands out as our next fan favorite. So, what made the cut at #4? Well, it happens to be Lautner's reveal of his very cut abs in "New Moon."

Long before that scene was captured on film, there had been fan chatter about whether a teenage Lautner could beef up enough to keep his part of werewolf Jacob Black in the second installment of the "Twilight Saga." Determined to prove to naysayers that he had the muscle for the role, Lautner hit the gym and showed that he had the ambition, drive and physical bulk to keep the role.

"I have been working out," Lautner told MTV News in December 2008. "I've been working out since the day we stopped filming 'Twilight.' I just weighed myself today; put on 19 pounds [and] guaranteeing [director Chris] Weitz 10 more by filming."

All the promises and hard work paid off. The reveal of his admirable physique in the movie remains a fan favorite as our voters revealed. And, four movies in, it's just as fun (and sexy) to watch the chivalrous Jacob strip off his shirt, just to assist an injured Bella.

Be sure to tune in to "MTV First: Breaking Dawn - Part 1," which kicks off Thursday, November 3, on MTV at 7:56 p.m. ET, followed by a Q&A with Kristen, Rob and Taylor on MTV.com!

Check out everything we've got on "The Twilight Saga: Breaking Dawn - Part 1."

For young Hollywood news, fashion and "Twilight" updates around the clock, visit HollywoodCrush.MTV.com.

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Kim Kardashian, Kris Humphries Surprised Khloe From The Start

In June MTV News interview, Kim's little sister reflects on Kris' place in the Kardashian family.
By Jocelyn Vena


Kris Humphries and Kim Kardashian
Photo: Getty Images

It takes a special guy to keep up with the Kardashians. Lamar Odom and Scott Disick have certainly found their place among the glamorous Hollywood family, but it wasn't as easy for Kris Humphries.

When news broke that Kim Kardashian had filed for divorce from the basketball player Monday, after only 72 days of marriage, MTV News decided to look back at a June interview with Kim's sisters, Kourtney and Khloé, to get some insight into what may have gone wrong with the couple.

"Doing our family show is like [the best]," Khloé told MTV News in June about Kris joining "Keeping Up With the Kardashians" as well as the family itself, hinting that there was some heated discourse between her and Kim about the nature of her relationship with Kris. "We love doing it, 'cause we're all together all the time, so we definitely feel like we're back and in full effect.

"The first episode is, you get to really see how Kim and Kris first started dating," Khloé added. "And especially Kim and I have a lot of arguments about it, because she comes to my house and I have a lot of old memorabilia of her old exes. She doesn't like that, but I don't know who Kris is, so I don't know. I feel like I didn't get the memo to change the pictures, so there's a lot of feuding going on."

Khloé is no stranger to whirlwind romances. She married her husband, Lamar Odom, after only a month of dating. Regardless of her own relationship history, Khloé was still floored by Kim's decision to marry the basketball player so soon into their relationship.

"Mine was insanity in the best way ever," Khloé said of her quickie engagement to Odom. "But [with] Kim's, we were totally surprised. I mean, because I had been working so much, and Kris lives in New Jersey, I've only met him not even a handful of times. We were at a family dinner, and she walks in, and she's like, 'I'm engaged,' but we didn't even know if it was a joke.

"But that's the cool thing about this whole season: You do get to see Kim [and Kris] kind of from the beginning of the relationship to the engagement," Khloé continued. "Obviously, no one knew in between what was going to happen, so it's cool that they have it documented for their future."

During the chat, Khloé pointed out that trying to find a place among the Kardashians isn't always easy. "I mean, we're still a family, so you're going to see what normal families do. There's sibling rivalry, but it's different this time around, because we all have our own families," she explained. "So trying to combine three outside [men into] such a strong family is really hard, and the men, I think, sometimes want to rip their hair out. Thank God Lamar is bald. But it is hard to balance all that. It is always going to be that family dynamic that's always the same. Of course, there's always the fighting and the drama."

As more news breaks from the Kim/Kris split, Khloé and the rest of the Kardashian kids expressed their support for Kim, pledging to stick by their sister.

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Tuesday, November 1, 2011

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Halloween Special: Halloween Concerts This Weekend

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'Breaking Dawn' Director Explains Revisiting 'Twilight' Ballad

'Flightless Bird, American Mouth' was 'such a great powerful, romantic song for those characters,' Bill Condon tells MTV News of Iron & Wine tune.
By Amy Wilkinson


Robert Pattinson in "Twilight: Breaking Dawn - Part 1"
Photo: Summit Entertainment

Fans of the original "Twilight" soundtrack got a pleasant surprise when the recently released track list for "Breaking Dawn - Part 1" revealed that Iron & Wine's melancholy ballad "Flightless Bird, American Mouth (Wedding Version)" was among the cuts.

Twilighters — who are no doubt gearing up for Thursday's "MTV First" with Robert Pattinson, Kristen Stewart and Taylor Lautner at 7:56 p.m. on MTV and MTV.com — will recall that the song made its "Saga" debut in the closing moments of "Twilight" as Bella and Edward shared their first dance. And according to Breaking Dawn director Bill Condon, the retread of this memorable number was an important reference for him to make.

"I always thought of this movie as the bookend to the first movie, and that was such a great powerful, romantic song for those characters," he told MTV News during a phone interview last week. "It just felt right to kind of refer back to it at this important, important moment," he added about "Breaking Dawn - Part 1," the first of the two-part finale.

Of course, Condon wouldn't reveal exactly which important moment this song will accompany in the November 18 film, leaving fans to wonder whether its delicate strains will find their way into the wedding itself or perhaps Mr. and Mrs. Cullen's first dance as man and wife.

Condon did divulge, however, that the song is just one of many callbacks to earlier "Twilight Saga" films.

"[There are] quite a few," he confirmed. "Musically, I would say at the wedding there's a jazz quartet that plays a couple of tracks from 'Eclipse.' Carter Burwell has come back to do the score. He did the first movie, so 'Bella's Lullaby' features in this movie too."

Moral of the story: Keep your eyes and ears peeled for touching tributes to "Breaking Dawn" predecessors.

Be sure to tune in to "MTV First: Breaking Dawn - Part 1," which kicks off Thursday, November 3, on MTV at 7:56 p.m. ET, followed by a Q&A with Kristen, Rob and Taylor on MTV.com!

Check out everything we've got on "The Twilight Saga: Breaking Dawn - Part 1."

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Michael Jackson Wasn't Addicted To Propofol, Expert Says

Dr. Conrad Murray's lawyers call their last two witnesses.
By Kara Warner


Dr. Paul White
Photo: Pool/ Getty Images

The involuntary manslaughter trial against former Michael Jackson doctor Conrad Murray is officially winding down, as the defense called its final two witnesses to the stand Thursday (October 27). Day 19 featured crucial testimony from addiction expert Robert Waldman and the man believed to be the defense's star witness, Dr. Paul White, a propofol expert.

The Witnesses
» Dr. Robert Waldman, addiction expert
» Dr. Paul White, anesthesiologist and propofol expert

Key Testimony
» Dr. Waldman testified that in examining the records of Jackson's use and reception of the sedative Demerol, the singer received unusually large doses of the drug and that Jackson had started to become immune to its potency. Waldman admitted, after a heated cross-examination by the prosecution, that while Jackson seemed to have a dependency on the drug, he was not addicted to it.

» At one point during cross-examination, Waldman was asked if he would consider administering a dangerous or harmful drug to a patient if the patient requested it. Waldman's response: "Absolutely."

» Dr. White kicked off the afternoon session by explaining to the court that he has been researching the use and effects of propofol since 1983, six years before it was approved by the FDA.

» When asked by the defense if he could justify administering propofol to a patient and then leaving that patient unsupervised, as Murray is said to have done, White said, "Absolutely not." He also stated that he wouldn't have expected Jackson to die from the amount of propofol Murray claimed he administered to the pop star. White is expected to take the stand again Friday when the trial resumes at 8:45 a.m. PT.

Murray has pleaded not guilty to the charge of involuntary manslaughter. He faces four years in prison and the loss of his medical license.

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